LED screens by application: industry solutions

The Solutions section is organised by task, not by equipment type: TV studio, meeting room and business centre, control room, stadium, airport and railway station, shopping mall, bar and club, stage and concert, restaurant and banquet hall, car dealership, cinema and house of culture, school and university, home cinema. Thirteen scenarios, and in each of them an LED screen is chosen differently: what works perfectly in an assembly hall will show banding on camera in a studio.

It is an easier way to choose: you arrive with a task rather than with a pixel pitch. Since 2012 we have completed more than 1,000 sites across Kazakhstan — 62 of them are published in the portfolio with photos and descriptions, and almost every scenario on the list is represented there by a real hall, facade or studio. Screens are installed by our own crew, and the warehouse of modules and spare parts is in Almaty, so neither the launch nor later service depends on shipments from abroad.

Below are the general rules of selection: how viewing distance sets the pixel pitch, how ambient light defines brightness, what changes when the screen is filmed, and how the operating mode affects lifespan. Then open the page for your own scenario: it holds specific configurations, industry cases and the matching catalogue categories. Resolution, power and a quote for your dimensions are produced by the calculator on the site.

Four questions that define the screen

The first is distance. The comfortable viewing distance in metres roughly equals the pixel pitch in millimetres: a meeting room at three metres asks for P1.5–P2, an assembly hall for P2.5–P3, a square in front of a building for P5–P8, a media facade for P15 and coarser. The second is light. Indoor models give 350–1,000 cd/m², enough for a hall with curtains and a lobby with glazing, while outdoors you need 5,500–7,800 cd/m² with automatic dimming at night. The third is the camera: if the screen appears on video, a refresh rate from 3,840 Hz is mandatory, otherwise the recording shows banding. The fourth is the operating mode: round-the-clock work runs at 30–40% brightness, and LED lifespan is 100,000 hours.

• The distance to the nearest viewer sets the pitch — not the budget and not a fashion for fine grain.
• Ambient light sets brightness: 350–1,000 cd/m² indoors, 5,500–7,800 cd/m² outdoors.
• Filming demands a refresh rate from 3,840 Hz and careful colour matching to studio lighting.
• The operating mode defines brightness headroom and the inspection schedule: eight hours a day and 24/7 are different loads.
• The shape of the surface decides the module type: a flat wall, a column, a shop window or a glazed facade.

Thirteen scenarios and what matters in each

It helps to group the scenarios by who looks at the screen and how. Where filming happens, refresh rate and colour come first: TV studios, stage, houses of culture, stadiums with broadcast. Where people work and study, legibility of text and silence matter more: meeting rooms, conference halls, school and university assembly halls, control rooms. Where people walk past, area and brightness decide: shopping malls, airports and stations, facades and entrances. And apart from those stand the scenarios of shape — columns and waves of flexible modules, shop windows with transparent mesh, a home cinema flush with the wall.

• On camera: TV studios, stage and concerts, cinemas and houses of culture, stadiums and arenas.
• Work and study: meeting rooms and business centres, schools and universities, control and situation rooms.
• Passing crowds: shopping malls, airports and railway stations, building facades and squares.
• Evening and show: bars and clubs, restaurants and banquet halls — picture in sync with the lighting.
• Special shapes: car showrooms with transparent windows, columns of flexible modules, home cinema from P0.93.

From a scenario to a catalogue model

Next the scenario turns into a specific configuration. A hall, lobby or studio means the indoor category P0.93–P4, with front-serviced 640×640 mm cabinets or 320×160 mm modules for a non-standard opening. A facade, square or entrance means outdoor P2–P8 in 960×960 mm cabinets, IP68 and an operating range from −40 to +50 °C. A shop window or glazing means mesh screens with 65–70% transparency, 7.5 kg per 1000×1000 mm cabinet. Columns and waves mean flexible modules. An event for one evening means 500×1000 mm rental cabinets with quick locks, assembled in 2–4 hours.

Here is how that looks on real sites: a screen in the ORT Eurasia TV studio in Almaty (2021), the ENOC situation centre in Dubai on P1.53 (2022), the arrivals hall of Karaganda airport (2020), 64 m² of P3 at Mall Aport in Almaty (2023), 100 m² of P3 at the I. Zhansugurov Palace of Culture in Taldykorgan (2023), a 120 m² flexible P2.5 screen at the Shokan Ualikhanov private school in Almaty (2023), the conference hall of the Holiday Inn Almaty (2025) and a P3 screen in the Highvill residential complex in Astana (2021).